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The Franklin A. Coffman papers contain letters, autobiographical materials, paternal and maternal family genealogies, legal documents, literary works, awards and honors, printed materials, photographs, scrapbooks and photograph albums, and artifacts.
Personal correspondence is mainly amongst family members though there is a letter from J. Edgar Hoover regarding a poem Coffman published. Business correspondence is sparse. Coffman received a bound volume of congratulatory letters upon his retirement. The letters provide the best account of Coffman's work with the United States Department of Agriculture within the collection. Many describe interactions with Coffman during field work and visits to experiment stations across the country. There is no official governmental correspondence in the collection documenting Coffman's work.
Coffman handwrote autobiographical accounts of his life during his later years. These accounts are mainly of his childhood, college days and work in the Philippines. The accounts covering the years Coffman spent in the Philippines are extensive. They provide many details and impressions about the native people. The accounts also cover his travels to other Asian countries while based in the Philippines.
Coffman spent years gathering genealogical information from relatives and researching his ancestors. He traced his father's Coffman ancestors back to 1737 and his mother's Bayle ancestors back to 1796. There are notes, different versions of family trees, and extensive narrative written by Coffman describing the lives of his ancestors.
Legal documents are sparse.
Coffman was a prolific poet. There are clippings of poetry published in the Washington Post. Some poems were published without his name. Others have his initials, F.A.C., including two series of poems compiled in notebooks. There are also unpublished poems.
There are certificates for scholarly and service awards and honors, and the registration certificate for the Marion Oat. There are not certificates for all the awards and honors listed on Coffman's resume.
There are just a few United States Department of Agriculture's bulletins and farmer's Bulletins that Coffman authored or co-authored. The vast majority of Coffman's published research is not part of the collection.
One of Coffman's hobbies was photography. There are hundreds of photographs documenting his personal and professional lives. Subjects are wide-ranging. Coffman signed some of his photographs, mainly what he referred to as the "salon prints." There are photographs taken by others including professional portraits and candid photographs of Coffman at various ages. Many photographs are undated and unidentified.
There are seven scrapbooks containing photographs and memorabilia. 1) Photographs and memorabilia document a 10 day automobile trip to eastern cities and New England that Coffman took with his wife and daughter in 1936. Expenses totaled $110.96.
2) "The Farm" album contains photographs of family members, neighbors, friends, crops, farmhouse interiors and exteriors, Rocky Ford School, and Rocky Ford dam and mill. The album is dated 1913 and some photographs are identified. There are also approximately 56 photographs of Manhattan and Kansas State Agricultural College. The subjects are the campus, buildings, classmates, lake recreation, train depot, street car, and a railroad bridge. Some photos are identified and dated 1914.
3) This photo album with narrative is titled "The Many Faces of F.A.C." and is written by "A Couple of Norths and Shanghai Louis Kao." It was compiled in 1962 and contains photographs of Coffman in various locations.
4) The album has photographs of Coffman's family and ancestors (earliest date 1884), Sunday school class, the First Baptist Church in 1902, Kansas State Agricultural College, and Manhattan. There is extensive Kansas State Agricultural College memorabilia including a cadet corps certificate, 1908 fall term schedule, invitations, commencement programs, band programs, banquet programs, clippings and a baseball ticket. The album also has correspondence and drawings. The album has memorabilia from Coffman's transit back to the United States on the Shino Maru including menus and passenger list. There are photographs of the transit and memorabilia from a Hong Kong visit en route. There are photographs of Kansas State Agricultural College, Oklahoma A&M and Akron, Colorado. 1916.
5) The Philippines album contains photographs of Coffman's trip across the western United States to board the S.S. Manchuria for transit to the Philippines. Coffman photographed the Golden Gate Park, the Panama Pacific International Exhibition grounds, onboard ship recreation, Honolulu, Tokyo, Nagasaki, the Philippines' countryside, Filipinos' daily activities, Philippine experiment stations, cultural activities, villages, Coffman's office and co-workers, YMCA sports, Viscayia (German naval ship), Hong Kong, Shanghai, Kobe, Yamaa, Yokahoma, the voyage back to the United States on the Shino Maru (not to be confused with the Shinyo Maru), Honolulu experiment station, Universal Film City, and the San Diego Exposition. 1914-1916.
6) The photographs and memorabilia in this album are compiled in honor of Coffman's brother, Will, who died in 1920. It contains drawings, report cards, class schedule and photographs of Kansas State Agricultural College, Manhattan, University of Kansas, and Will's travels. Loose commencement programs from Kansas State Agricultural College, 1913-1915, are with the album.
7) The album contains photographs from Coffman's days in Akron and his travels to Amarillo, Chicago, Washington, D.C., Arlington, New York, Philadelphia and Mount Vernon from 1919-1922. There is memorabilia from Washington, D.C., New York including a Metropolitan Opera House program and a Hippodrome souvenir book, Coffman's wedding and showers, and a program from the American Society of Agronomy 1922 meeting. Morrill, Kansas, Twin Oaks, Estes Park, county fairs, and Manhattan are also subjects of photographs. Alta Johnson's School Girl Days: A Memory Book from Washington County High School, 1914, is boxed with the scrapbooks.
The most notable artifacts are four cameras, presumably used by Coffman: Univex Model A, 1933; No. 1-A Kodak Junior Model A, 1914; No. 2 Folding Autographic Brownie, circa 1915-1916; Kodak Six-16 camera and leather case, circa 1932-1936.

This collection includes biographical material, correspondence, material by subject, printed material, photographs, cassette tapes, computer disks, VHS tapes, reel-to-reel film, and artifacts. The biographical material consists of newspaper clippings about Stewart M. Lee and his work in the consumer interest. Correspondence is arranged alphabetically and includes letters from such people as Elizabeth Hanford Dole, Betty Furness, Virginia Knauer, Nelson D. Rockefeller, and Caspar Weinberger.
The Subject series is arranged in alphabetical order with fair trade making up the bulk of the series. Other topics in this series include product advertisement, consumer interest, Ralph Nader, packaging deceptions, President Ronald Reagan's consumer activity, President George Bush's consumer activity, President Jimmy Carter's consumer activity, price fixing, alcohol and tobacco, trading stamps, weights, and measures, and warranties. The printed material is arranged in alphabetical order according to the type of material and newsletters make up the bulk of this series. Some newsletters included are Better Business News & Views, COCO Intercom, The Consumer Affairs Letter, Consumer News, The Insurance Forum, Status Report, World Consumer.
Photographs include advertisements for the 1986 Super Bowl games. The Media series includes consumer information such as buying habits, money management, real estate tips, becoming an informed shopper, buying furniture, buying vehicles, buying a home, seat belt safety, airbag safety, helmet laws, and brand names.
Oversize items are posters explaining the Universal Product Code (UPC), grades for best and second best, and the size of olives.
The Artifacts include examples of products that Dr. Lee took with him when doing presentations or testifying before the House, Congress, and other government agencies. Some artifacts included are cereal boxes, laundry detergent boxes, toothpaste boxes, empty vegetable cans, empty soda cans, plastic packaging for corn chips, product labels for bathroom tissue, and the suitcase he used to carry the items in.
The Addition Series consists of boxes 16-20 and includes biographical information, literary works, subjects, photographs, and media. Some topics of interest are Amway Case, Consumer Week, and a photograph of President Gerald Ford.

This collection documents Lewis’s career as an internationally known pioneer, researcher, and scholar in horticulture therapy, and author of the landmark book Green Nature, Human Nature: The Meaning of Plants in Our Lives. The collection contains correspondence, speeches, research material, files associated with his employment, community and institutional projects, research, writing, lectures, and service with numerous national organizations and councils, unpublished and published manuscripts and reports, photographs and slides, and publications (his and those of other leaders in the field).

Materials held in this collection pertain to professor emerita of archeology and anthropology Patricia "Pat" J. O’Brien and her nearly 31-year career at Kansas State University. The collection includes proposals for expanded curricula within the Department of Sociology, Anthropology, and Social Work, reviews of this department from the Kansas Board of Regents, and documentation of events relative to the 500th anniversary of Columbus reaching the New World. Other contents include photographs from 2005 razing of the Kansas Artificial Breeding Service buildings that were on the original site of Bluemont Central College (K-State predecessor and the first site of K-State), documentation related to the Bluemont Central College monument, recorded and scripted correspondence between Pat and her friends, her latest curriculum vitae (2004), and limited correspondence with other renowned archeologists and anthropologists. Also included are oral histories with Abby Lindsey Marlatt in September 2005.

This collection includes biographical information, literary works, correspondence, subjects in alphabetical order, photographs, negatives, slides, media, artifacts, and oversize items. Biographical information includes topics such as classes Morse took in college, classes he taught, awards won, and his professional work. Literary Works consists of articles, essays, pamphlets, and books written by Richard L. D. Morse. Correspondence Series are listed alphabetical and includes names such as Sam Brownback, Jimmy Carter, Robert Dole, Nancy Kassenbaum, John F. Kennedy, Walter Mondale, and Jim Slattery. Subject Series is listed in alphabetical order and includes topics such as Aging, American Council of Consumer Interest, Consumer Affairs, Consumer Protection, Consumers Union, Interest Rates, Ralph Nader, Truth in Lending and Truth in Savings. The Media Series includes topics such as Consumers Union, Financial Counseling, Homemaking Services, Senate Hearings and Truth in Lending.

This collection includes biographical information, correspondence, research materials, photographic materials, and other documentation of Tessie Agan and her professional studies, especially related to farm home design, space utilization, urban renewal, and aging. It contains pamphlets on the proper design of a farm home with other printed materials devoted to kitchens, living rooms, dining areas, cupboards, storage walls, and proper lighting. The collection also contains studies on the amount of time and labor spent on laundry and cleaning the bathroom, as well as the benefits of "garbage grinders" in a kitchen. Other areas of the collection are devoted to public housing needs for elderly and diverse populations, space requirements for preschool children, and research on children from a social service perspective.

The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.
The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.
The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by "a white Christian" or "a white, white, American." There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series "Correspondence to Poetry Magazines" is listed alphabetically by magazine title and consists of one box.
The sub-series "Correspondence Log" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.
Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that "recycled" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.
Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.
The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.
Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the "50th Anniversary of the 1939 Pottstown High School Graduates" of interviews with Earl "Yogi" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.
There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.
Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.
The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's "Passion for Peace," Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's "The Picture Poems of Kenneth Patchen," California Living, 1983. There are four Kenneth Patchen poems included: "The Way Men Live Is a Life," 1944, "A Poem For Christmas," 1961, "What I'd Like To Know Is, 1967" and "A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man," 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.
Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.

The Board on Human Sciences, Inc. (BoHS) is the premier advocacy group representing higher education disciplines that focus on the health, well-being, and quality of living for individuals, families, and communities. The Board on Human Sciences, Inc. (BoHS) is affiliated with the Association of Public and Land-grant Universities (A¨P¨L¨U). Founded in 1966, the BoHS is an association of higher education administrators who are responsible for research, teaching, and extension outreach programs in Human Sciences disciplines at state and land-grant universities. Human Sciences use integrative approaches to study relationships among humans and their environments to achieve a healthy and sustainable world. The Board on Human Sciences, Inc. mission is to strengthen the intellectual integrity, stature, and centrality of the Human Sciences in member institutions, in the Association of Public and Land-grant Universities, and in government and industry. Archives of the Board on Human Sciences, Inc. include records from 1966 to 2016. The archives include annual directories of institutional membership and administrators representing each member unit. The archives include conference proceedings, Board of Directors meetings, financial records, organizational documents, and Rules of Operation. Federal relations advocacy initiatives are included in archives documents. The Board on Human Sciences began presenting national awards in 2008, and the archives include recipients for each year from 2008 through 2015.

These records document the Alpha Rho chapter of Epsilon Sigma Phi, national extension honor society, at Kansas State University from 1930 to 2016. Types of material include programs, constitutions, newsletters, chapter history, minutes, financial information, membership listings, autobiographies, scrapbooks, and photographic materials. Some records from the 1990s are in digital format.

The Dottie Wellington Papers consists of two boxes of original copies and reprints of the syndicated “Let’s Cook” cooking column by Dottie (Dorothy Anne Wellington, 1924-2015) that appeared in the Ottawa Herald of Ottawa, Kansas, and many other newspapers, as well as correspondence, newspaper clippings, photographs, and receipts that pertain to the publishing of “Let’s Cook” articles. Some of the correspondence and receipts relate to Dottie’s successful efforts to have the “Let’s Cook” articles published in two “Let’s Cook” cookbooks and the advertisement of the cookbooks. Dottie was a well-known member of the Ottawa community throughout her life as a volunteer and teacher of cooking classes. Her papers were donated to Kansas State University by her son, Thomas, upon her death.