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David Dary donated his collection of personal papers to the Morse Department of Archives and Special Collections in 2011. The papers span the years 1856 to 2017 and are housed in 123 boxes. The collection spans a total of 16 series: Family, Education, Short Wave Radio, Broadcast Journalism Career, Higher Education Career, Correspondence, Dary Files, Business Records, Speeches, Publication Files, Certificates/Awards, Ephemera, Printed Material, Photographs, Audio/Visual, and Oversize. Processing was originally completed in 2014, resulting in 103 boxes. New material was received by the Morse Department of Archives and Special Collections in 2024 and was processed afterward. The extent now totals 123 boxes. The dates covered by the collection are approximately 1833-2017.

This collection includes genealogical materials, personal papers, and financial records relating to the Dodge family, especially William Pickett Dodge (1877-1966) and Robert "Bob" Hugh Dodge (1906-1997). Genealogical materials include a large binder, with accompanying USB flash drive, tracing the lineage of Orlando & Olive Dodge; Dodge and Cooper family documents; and photograph collections of Dodge family residences, the 2005 Richard Dodge wedding, and the 2009 Dodge family reunion. Personal papers include academic certificates, awards from professional associations, a postcard collection, and personal clippings. Financial records include real estate deeds and sale papers, farm ledgers, and assorted bills of sale.

The Edna Worthley Underwood Papers (1889-1946) covers the period of her most active publishing. Underwood wrote original works of plays, poetry, prose, short stories, and news articles. She also translated various author's works into English.
The first series, Correspondence (1910-1944), is divided into Personal Correspondence, letters from friends and admirers; Business Correspondence, letters regarding the publishing of books and reviews; Postcards; Telegram; Robert Earl Underwood's Correspondence; and a Letterbook, letters, and poems used for background information for her book of translation of poets of Haiti. The poets include Madame D. Viard, M. Leon Laleau, Victor Mangones, and Maurice A. Casseus. She corresponded with many of the authors, often asking for a biographical sketch and a photograph. After 1938, not much is known of her life. She did not publish but traveled within the U.S. Photographs have been transferred to the photograph collection of the University Archives.
Literary Works (1927-1938) is divided into several sub-series. Original Works contains works by Underwood; criticism of other authors; news articles on points of interest; notes; poems; prose; play, A Petersburg Night; short stories, "The Shudder of Don Giovanni", "Madame Dorette and Nature", and three untitled. The sub-series: 1) Translations, includes translations of short stories put into the book Flemish Short Stories; 2) plays, The Yellow Tent and Improvisations in June poems; 3) short stories, "The Van Helmers", "The Beggar Minar", "Tramp and Peasant", "Vaudrevil", "If Life is White", "Exile", "A Game of Chess", "Martha Timar", "Father, A Portrait", "The Trick", "Christmas Eve", and "The Wedding". Also included are original works by Aberto Zum Felde, Fernand Knopf, Robert Earl Underwood, and works by unknown authors. The last sub series contains miscellaneous items.
The series Individuals (1918-1939) contains folders on individuals that Underwood corresponded with and whose works she translated. The folders contain correspondence and original works of poetry and prose. The individuals include Max Dickman, Fabio Fiallo, Germaine Lassara-Bouchecourt, Coelho Netto, Luis Felipe Rodriguez, Daniel Thaly, and Cesar Vallejo.
The series Scrapbooks (1905-1940) contains three scrapbooks. Scrapbook #1 covers 1905-1939. It contains newspaper clippings, letters, and various printed materials. Scrapbook #2 covers the literature of South America. It contains correspondence and original works of poetry. Individuals included are Julio Herrera, Xavier Abril, Carlos Wyld Ospina, Lartigau Lespada, Juan Borch, and Fernando Torregrosa. Scrapbook #3 contains correspondence and poetry from individual poets included in Underwood's translation of poets from Haiti. The poets include Emile Roumer, Clement Magloire, Maurice Casseus, Carl Brouard, Milo Riguad, Jacques Romain, Justinien Ricot, Jean F. Brierre, and Timothee Paret.
The series Notebooks (1889-1924) contains seven notebooks. They cover the time Underwood attended the University of Michigan in Ann Arbor. These are handwritten notes from lectures. Notebook #5 contains prose written in 1924, thirty years after her graduation from the University. The last series, Printed Material, contains booklets, "El Pais Lilac", "Revista de Las Indias", "The Hobart Guild", "De Godsdienstige Keinst Van Rubens", "La Poesia Sorprendida", and "Requiem Por Los Muertos De Europa"; translations: newspaper clippings: and miscellaneous.
Twelve photographs were removed and filed in the University Archives photograph collection under the heading of Underwood. The photographs include Maurice Andre Casseus, Concepcion Monterrosa, Cesar Vallejo (2), Xavier Abril de Viver, Jorge Luis Borges, Germaine Lassara-Bouchecourt, Coelho Netto, Helery, Balleitein de Martin, and unknown.

The Franklin A. Coffman papers contain letters, autobiographical materials, paternal and maternal family genealogies, legal documents, literary works, awards and honors, printed materials, photographs, scrapbooks and photograph albums, and artifacts.
Personal correspondence is mainly amongst family members though there is a letter from J. Edgar Hoover regarding a poem Coffman published. Business correspondence is sparse. Coffman received a bound volume of congratulatory letters upon his retirement. The letters provide the best account of Coffman's work with the United States Department of Agriculture within the collection. Many describe interactions with Coffman during field work and visits to experiment stations across the country. There is no official governmental correspondence in the collection documenting Coffman's work.
Coffman handwrote autobiographical accounts of his life during his later years. These accounts are mainly of his childhood, college days and work in the Philippines. The accounts covering the years Coffman spent in the Philippines are extensive. They provide many details and impressions about the native people. The accounts also cover his travels to other Asian countries while based in the Philippines.
Coffman spent years gathering genealogical information from relatives and researching his ancestors. He traced his father's Coffman ancestors back to 1737 and his mother's Bayle ancestors back to 1796. There are notes, different versions of family trees, and extensive narrative written by Coffman describing the lives of his ancestors.
Legal documents are sparse.
Coffman was a prolific poet. There are clippings of poetry published in the Washington Post. Some poems were published without his name. Others have his initials, F.A.C., including two series of poems compiled in notebooks. There are also unpublished poems.
There are certificates for scholarly and service awards and honors, and the registration certificate for the Marion Oat. There are not certificates for all the awards and honors listed on Coffman's resume.
There are just a few United States Department of Agriculture's bulletins and farmer's Bulletins that Coffman authored or co-authored. The vast majority of Coffman's published research is not part of the collection.
One of Coffman's hobbies was photography. There are hundreds of photographs documenting his personal and professional lives. Subjects are wide-ranging. Coffman signed some of his photographs, mainly what he referred to as the "salon prints." There are photographs taken by others including professional portraits and candid photographs of Coffman at various ages. Many photographs are undated and unidentified.
There are seven scrapbooks containing photographs and memorabilia. 1) Photographs and memorabilia document a 10 day automobile trip to eastern cities and New England that Coffman took with his wife and daughter in 1936. Expenses totaled $110.96.
2) "The Farm" album contains photographs of family members, neighbors, friends, crops, farmhouse interiors and exteriors, Rocky Ford School, and Rocky Ford dam and mill. The album is dated 1913 and some photographs are identified. There are also approximately 56 photographs of Manhattan and Kansas State Agricultural College. The subjects are the campus, buildings, classmates, lake recreation, train depot, street car, and a railroad bridge. Some photos are identified and dated 1914.
3) This photo album with narrative is titled "The Many Faces of F.A.C." and is written by "A Couple of Norths and Shanghai Louis Kao." It was compiled in 1962 and contains photographs of Coffman in various locations.
4) The album has photographs of Coffman's family and ancestors (earliest date 1884), Sunday school class, the First Baptist Church in 1902, Kansas State Agricultural College, and Manhattan. There is extensive Kansas State Agricultural College memorabilia including a cadet corps certificate, 1908 fall term schedule, invitations, commencement programs, band programs, banquet programs, clippings and a baseball ticket. The album also has correspondence and drawings. The album has memorabilia from Coffman's transit back to the United States on the Shino Maru including menus and passenger list. There are photographs of the transit and memorabilia from a Hong Kong visit en route. There are photographs of Kansas State Agricultural College, Oklahoma A&M and Akron, Colorado. 1916.
5) The Philippines album contains photographs of Coffman's trip across the western United States to board the S.S. Manchuria for transit to the Philippines. Coffman photographed the Golden Gate Park, the Panama Pacific International Exhibition grounds, onboard ship recreation, Honolulu, Tokyo, Nagasaki, the Philippines' countryside, Filipinos' daily activities, Philippine experiment stations, cultural activities, villages, Coffman's office and co-workers, YMCA sports, Viscayia (German naval ship), Hong Kong, Shanghai, Kobe, Yamaa, Yokahoma, the voyage back to the United States on the Shino Maru (not to be confused with the Shinyo Maru), Honolulu experiment station, Universal Film City, and the San Diego Exposition. 1914-1916.
6) The photographs and memorabilia in this album are compiled in honor of Coffman's brother, Will, who died in 1920. It contains drawings, report cards, class schedule and photographs of Kansas State Agricultural College, Manhattan, University of Kansas, and Will's travels. Loose commencement programs from Kansas State Agricultural College, 1913-1915, are with the album.
7) The album contains photographs from Coffman's days in Akron and his travels to Amarillo, Chicago, Washington, D.C., Arlington, New York, Philadelphia and Mount Vernon from 1919-1922. There is memorabilia from Washington, D.C., New York including a Metropolitan Opera House program and a Hippodrome souvenir book, Coffman's wedding and showers, and a program from the American Society of Agronomy 1922 meeting. Morrill, Kansas, Twin Oaks, Estes Park, county fairs, and Manhattan are also subjects of photographs. Alta Johnson's School Girl Days: A Memory Book from Washington County High School, 1914, is boxed with the scrapbooks.
The most notable artifacts are four cameras, presumably used by Coffman: Univex Model A, 1933; No. 1-A Kodak Junior Model A, 1914; No. 2 Folding Autographic Brownie, circa 1915-1916; Kodak Six-16 camera and leather case, circa 1932-1936.

The Owens Papers (1890-1946) contain ten items consisting of a scrapbook, two diplomas, two certificates, and five photographs. They were donated to the University Archives by his daughter, Ana Elnora Owens. The scrapbook contains a handwritten autobiography (20 pages) and a "History of Agricultural Instruction in Virginia" (14 pages), both written in 1945-1946. Owens' autobiography describes his childhood in Kansas (near Alma in Wabaunsee County) and his experience at Kansas State Agricultural College as the first Black person to graduate from the institution in 1899. It provides a description of his employment at Tuskegee Institute after graduation where he worked under Booker T. Washington and George Washington Carver. He left Tuskegee in 1908 to take a position at the Virginia Normal and Industrial School (Virginia State College) in Petersburg where he had a very successful career.
His writings describe the agricultural program at the school and his work in Virginia as the leader in vocational agriculture, including his organizational efforts for the New Farmers of Virginia that became the New Farmers of America. He provides an extensive list of others who were involved in vocational agriculture throughout the state. The two diplomas were awarded at the time of his graduation from high school in Wabaunsee County, Kansas in 1890, and Kansas State Agricultural College in 1899 where he obtained a bachelor of science degree in the "general course." The two certificates in the collection were awarded by Virginia State College. The first is a "Certificate of Merit" for ten years of service in 1945 and the second in appreciation for his teaching and service presented by the Alumni Association in 1946. Two of the five photographs show Owens as a student at KSAC in 1899 (one in his cadet uniform), two with his wife, Waddie Hill (a wedding photo in 1901 and another in 1903 with their newborn child), and one taken at the Virginia Normal and Industrial Institute in 1920.

The Haldeman-Julius Collection documents the business and personal life of Emanuel Haldeman-Julius, especially through the biographical information compiled by his second wife, Sue. Along with Emanuel, there is considerable information about Marcet (Emanuel's first wife) and her family, including her aunt Jane Addams (1931 Nobel Peace Prize winner), as well as several close friends and relatives. There is little correspondence in the collection, instead, the majority of the material consists of biographical information that Sue Haldeman-Julius created for a biography she was writing about Emanuel which included drafts of chapters.
Newspaper clippings of events that took place, many after Emanuel's death in the remembrance of him, as well as clippings on people he knew, are also included. Other contents of interest include the short stories and articles that were written by Emanuel, Marcet, or both. Several of the articles indicate that they were written for the Appeal to Reason, a socialist newsletter that Emanuel was editor and owner of.
The collection consists of five series: Contains essays and short stories written by Emanuel, Marcet, or were written by both of them together. There are 46 essays and short stories in this series. Contains family documents from family members on both the Haldeman and the Julius side. This series also includes newspaper clippings regarding social events, friends of the Haldeman-Julius', and also clippings that interested one of Emanuel's wives (such as health). Contains the biographical information compiled and typewritten by his second wife, Sue, for a biography she was writing; includes drafts on various topics and events.
Contains printed material that was published in Emanuel's personal magazine E. H-J. Magazine and other literary works by different authors. Contains photographs and art including two family photographs of the Addams family; one photograph of Jane Addams' casket being carried; one photograph of Emanuel; one-color print o the Haldeman-Julius home in Girard, KS (1942), and: an original pencil drawing of Abraham Walkowitz by Sue Haldeman-Julius; The Morse Department of Special Collections houses a comprehensive run of Haldeman-Julius publications ("Little Blue Books") and Emanuel's two autobiographies, My First 25 Years and My Second 25 Years.

The Harriet Parkerson papers contain writings for the Domestic Science Club (some were not presented), financial records in the forms of receipts and cancelled checks and a copy of the published version of her sister's, Julie Etta Parkerson Reynolds 1874 journal. The papers are housed in two boxes.
Literary Works makes up the bulk of the collection and contains papers Harriet wrote to present to the Domestic Science Club and one paper written by Ellen Goodnow. For the most part, these presentations are random topics that the women appear to have picked themselves. They bridge a wide array of subject matter and are all not focused on the matters of what people would tend to think of as Domestic Science. While Harriet wrote about topics such as baking, soaps and soap making, and wardrobe maintenance, she also wrote about historical figures like Anne Louise Germaine Necker, Leo Tolstoy, and Michael Faraday. One of the more interesting items from this series is the story of Soonboonagen Ammal, a female martyr from India.
The Financial Series contain receipts and canceled checks. The receipts are organized chronologically and are mostly from the years between 1909 and 1912. Many of the receipts are for magazine subscriptions and the rental of a post office box. Other receipts are for necessities and items such as landscaping, flowers, and oats. The canceled checks are from three different banks and sorted alphabetically by the bank. The checks are from the financial institutions First National Bank, Manhattan State Bank, and Union National Bank. The checks are mostly made out to individuals including her nephew Louis and herself (checks labeled "myself"); a few are also written out to institutions or businesses like Kansas State Agricultural College, Montgomery Wards, and Kimball Printing Co.
Printed Material is made up of Harriet's sister's, Julie Etta Parkerson Reynolds 1874 Journal, an agricultural magazine, the 1936-1937 Domestic Science Club booklet, and a few newspaper clippings.
The Department of Special Collections has Harriet Parkerson's journal on microfilm and the original is located at the Kansas State Historical Society in Topeka, Kansas. Additional information about Harriet can be found in the History Index located in Special Collections.

Album of family photographs associated with sign and house painter Harvey Honnold of Olathe, Kansas. Photographs are the products of professional studios in Kansas, Missouri, Ohio and Tennessee. Most are cabinet photographs, but some are tintypes, others in carte-de-visite format. One photograph is marked “H. Honnold taken on Cedar Creek west of Olathe somewhere north of Farland, HoughlandNeighborhood/Taken by Bert Honnold” Circa 1892.

The Horticulture, Forestry, and Recreation photographs were generated by the Department of Horticulture. These photographs, slides, and glass slides document horticulture areas near campus, as well as in Honduras, Costa Rica, Florida, and elsewhere. Images largely include crops, trees, floriculture, and landscapes. There are also photographs of various events held or attended by the department, notably Kansas State Fairs, the apple blossom festival, and the 1921 Potato Show, as well as student and faculty awards. Medals and framed certificates are included. Approximate years covered by the records are 1876-1991.

The boxes contain wonderful photographs that date from the early 1800s, a large amount of correspondence, personal papers, memorial records, scrapbook of her WWII work at Walter Reed Hospital, other scrapbooks, financial records, calendar appointment books, address files, post cards, journals, publications, information representing a variety of organizations; yearbooks; newspaper clippings, memorabilia, and some small objects. Some of the materials include items from other family members and her husband Garrett Olds. His military awards, medals, and some of his personal papers are included. There is no inventory for the collection.

The major subject areas include education; Kansas State University, Kansas State Alumni Assoc., other organizations, theatrical endeavors, family, military service, and more.

Biography
Ivy Ann Fuller was born in September 1894 in Barton County, Missouri. Her family moved to Manhattan, Kansas in 1902, settling on a farm in Ashland Township. They later moved into town, living in a home at 617 Poyntz. This became her lifelong family home until 1984.

Ivy graduated from Kansas State Agricultural College in 1913 earning a degree in Home Economics. Her college years were marked by her interest in the Panhellenic Council, journalism, where she was on the staff of the Kansas Aggie, forerunner of The Collegian; Delta Delta Delta Sorority, where she was charter member no. 6; and the performing arts. Throughout her life she was active in the sorority at the national level and in both Indianapolis, Indiana, and Manhattan, Kansas. She was also a devoted alumni of Kansas State University.

Ivy taught at Manhattan High School for 2 years. She then attended the Harvard school of physical education for two summers. While at Harvard, she was voted "prettiest girl on campus".

Ivy was a beautiful woman and won several movie queen contests. In 1917, she was crowned Movie Ball Queen in Kansas City. This led to a screen test in California. As a result, Ivy reportedly was cast in more than 20 silent films.

In late 1917 when the U.S. became involved in WWI, the Red Cross appealed to women to become trained as nurses to support the war effort. Ivy answered the call and attended nurses training at Vassar College. She had assignments at Mount Sinai Hospital in New York City, with the Surgeon General’s office, and later served as a physical therapist at Walter Reed Hospital. She left the Red Cross Service around June of 1920, toured out of Washington D.C. with a Chautauqua company, and became one of the founders of the Washington Theatre Production Company in 1920.
In 1920, census records show that she was living in Washington D.C. as a single woman employed in “goat service.” I am unclear as to what this is but I think it is a typo and should read government service. In 1921, Ivy accepted a position as director of the historical section of the American Legion, a newly created office with headquarters at Indianapolis. She was already a member of the legion because of her service as a nurse. Ivy was a member of the American Legion in Manhattan and was the only woman delegate from Kansas to the Legion’s national convention in 1921.

The 1930 census shows Ivy living in Indianapolis, Indiana. She was still single working as a teacher. It was there that she met Lt. Colonel Garrett W. Olds, a lawyer and a career Army officer, who had served in France in WWI. Ivy married Garrett Olds in August 1937 at St. Paul’s Church in Manhattan, Kansas. They lived in Indianapolis, Indiana where she continued to teach well into the 1940s.

Garrett Olds served in WWII and was a member of the Rainbow Division of the National Guard so he was probably required to have been gone some portion of 1938-1945, although I do not have a complete military record. It is likely the two were often separated. Ivy and Garrett were divorced in 1953. Mr. Olds retired from the army in February 1956 and died in 1964.

By 1950 Ivy had returned to Kansas to care for her ageing parents although she often visited her parents at the family home throughout her earlier years. The 1950 census also shows that Garrett Olds was not living with Ivy although according to neighbors he did visit. Ivy was no longer employed outside of the home.

In her later years, Ivy remained active. She was a life member of the Manhattan Civic Theatre. She supported the library, and both local and state historical societies as well as the Delta Delta Delta Sorority. She was an avid fan and supporter of the Kansas State rowing team. She also donated 187 items of clothing and accessories to the Historic Textile and Costume Collection in the KSU Department of Clothing,Textiles, and Interior Design and was involved in the local community until her death at Wharton Manor Nursing Home in May of 1990. She was 95 years old and is remembered as a beautiful woman, an educator, actress, nurse, and a devoted alumni and community member.

[This information was excerpted and compiled from several sources including a book by Lowell Jack, “Neighbors of the Past” published by the Manhattan Mercury in 2005; newspaper articles; ancestry.com; interview; and her obituary.]